![]() Then, determining the definition of “armed conflict in outer space” and the possible types of “armed conflict in outer space” are the prerequisites for the application of international humanitarian law. According to the basic theory of international humanitarian law, it can be deduced that once an armed conflict in outer space breaks out, the existing international humanitarian law can be applied. ![]() The militarization or weaponization of space not only creates tension in international relations but also greatly increases the danger of armed conflicts in space. ![]() Countries should follow the principle of peaceful development when developing and utilizing outer space resources and rights, but the increasing militarization or weaponization of space is contrary to this basic principle.
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The Prime brothers have had disagreements in the past, but Diablo 4 establishes that these are unprecedented times for everyone, the demons in particular. It's possible that having us kill Lilith was all part of Mephisto's plan and, for all we know, he could be working with his brother. Food and water are in short supply, demons are everywhere, and people are resorting to some pretty nasty things to survive. Sanctuary, the domain of humanity, is ripe for meddling at the moment. Diablo, like his brothers, isnt't into the whole humanity thing and would prefer if humans stopped interfering with the Eternal Conflict between angels and demons. While I'm not entirely convinced any of the post-credits teasers are him considering how similar they look to Mephisto, it's a possibility worth considering. ![]() ![]() Surely he's not pleased with the way the whole one, true Prime Evil plan played out in 3's campaign. ![]() He's barely even mentioned in the game, despite having been released back into the wild by Malthael in Diablo 3: Reaper of Souls. (Image credit: Wowhead / Activision Blizzard)ĭiablo 4 is the first in the quadrilogy to not feature Diablo, the Lord of Terror, as a boss. ![]() In the second movement, Eldredge asserts that all men carry a wound that hits men in the area of their deep question. Movement Two: The Poser, the Wound, and the Healing The question goes like this: "Do I have what it takes?" ![]() Men are made to "come through." Eldredge asserts that all man carry a deep question that is uniquely a masculine question. Eldredge argues that the reason a man has the desires that he does and the reason why he is masculine is because he is, ultimately, an image-bearer of God.Īccording to Eldredge, men reflect God uniquely in this way: they demonstrate God's ability to "come through" for his people. ![]() Wild at Heart is split into three sections, called "movements." The first argues that every aspect of a man, from his desires to who he is as a man, reflects God. Eldredge frames the book around his outdoor experiences and anecdotes about his family and references elements of pop culture such as the film Braveheart and lyrics from songs.Ĭontents Movement One: Reflecting God and the Masculine Question He urges men to take time out and come to grips with the desires of their hearts. Men often seek validation in venues such as work, or in the conquest of women, Eldredge observes. He challenges Christian men to return to what he characterizes as authentic masculinity without resorting to a "macho man" mentality. From the back cover: "In Wild at Heart, John Eldredge invites men to recover their masculine heart, defined in the image of a passionate God."Įldredge claims that men are bored they fear risk, they refuse to pay attention to their deepest desires. Wild at Heart: Discovering the Secret of a Man's Soul is a book by John Eldredge published in 2001, on the subject of the role of masculinity in contemporary evangelical Christian culture and doctrine. |
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